Duke Ellington - Money Jungle

Specialty Records Corporation repressing of 1986's release, with a different publisher for track A4. Likely reissued between 1987 and 1989.

Issued on blue and white "The Finest in Jazz since 1939" Blue Note labels, with DMM logo.

Artist on jacket front:
Duke Ellington
Charlie Mingus • Max Roach

First catalog number (BT 85129) on jacket spine, back.
Second catalog number (BT-85129) on labels.
Third catalog number (85129) on jacket front.

Track publishers:
A1 to A3, B1: Tempo Music Inc.-ASCAP
A4: SBK Robbins Catalog, Inc.-ASCAP
A5, A6, B2, B4: Mercer Ellington Publishing-ASCAP
B3: Mills Music Inc.-ASCAP
B5: Mills Music Inc./Scarsdale Music Corp.-ASCAP

Jacket:
℗©1986 Manhattan Records, a division of Capitol Records, Inc.
Manufactured in the U.S.A. by Capitol Records, Inc., a subsidiary of Capitol Industries-EMI, Inc. Printed in U.S.A.

Labels:
© ℗ 1986 Manhattan Records, a division of Capitol Records, Inc.
Mfd. for Manhattan Records, a division of Capitol Records, Inc. by Capitol Records, Inc., a subsidiary of Capitol Industries-EMI, Inc., U.S.A. Printed in U.S.A.

Recorded at Sound Makers, New York City, on September 17, 1962.

Tracks A5, A6, B2, B4: Previously unreleased.
Tracks A1 to A4, B1, B3, B5: Originally issued on United Artists UAS 15017, UAS 5632 and Solid State SS 18022.

DMM Direct Metal Mastering. Original historical master tape.
DMM is a trademark of TELDEC

From jacket back:
The original 3 track tapes of this session have been remixed to digital tape in order to greatly reduce analog tape hiss and to improve the quality and balance of sound. In the process, another four titles were discovered and are included here.

For the Blue Note reissue of this historic session, we have gone back to the original 3 track masters and and remixed them to digital tape in order to improve the sound of the music and the fidelity. In the process, we discovered four unissued performances ("A Little Max," "Switch Blade," "REM Blues," and "Backward Country Boy Blues") that are now included on the album. Significantly, these four discoveries are all Duke Ellington compositions that have never been heard before in any form.