- Sacred And Profane: A Collection Of Sonic Art

Track 1, "Surroundings (Stereo Version)", is a stereo version of the song, "Detroit Sound Gallery Piece", from the 5.1 Surround Sound video compilation, "release".

The Booklet reads:

Detroit Artists Market presents
Sacred and Profane
A Collection of Sonic Art May 7 - May 31, 2004

Curators' statement: Too often in the gallery setting, sound is given supplemental, by-product attention. This exhibition takes a purist approach; it allows the artist to use sound alone as the creation, using only the aural output. The piece's immediate environmental effect on the observer makes a unique imprint.

By converging several artists within one space, the exhibition allows for play between varied approaches to sound. From ambient and composition to playful and noise, these ideas will directly complement and contrast one another. The listener will be left with a renewed realization of the power of the medium as art and as language.

This CD represents a documentation of the Sacred and Profane sound exhibition, true to the original concept of the artists.

Track 1 written, produced and engineered by Jack Dangers. Recorded at Tape Lab Studios, California. Published by Songs of Windswept Pacific/Tweekland Music (BMI). All rights on behalf of Tweekland Music administered by Songs of Windswept Pacific. This is a two-channel version of the six-channel original recording created for the Sacred and Profane exhibit.
Track 2 written and produced by Warn Defever. 2004 Copyright Control
Track 3 written and produced by Richie Hawtin. Recorded at The Bldg, Windsor, Ontario, Canada. (C) 1996/2004 Minus Inc. Published by Minus Inc. (SOCAN)
Track 4 written and produced by Thurston Moore. 2004 Copyright Control
Track 5 written and produced by Tadd Mullinix. 2004 Published by The Ghostly International Company (ASCAP)
Track 6 written and produced by Gregor Asch. 2003 Published by The Agriculture (ASCAP)
Track 7 written by Diane Timmons (voice/piano), John Rose (piano/effects), Tony Gerber (guitar/effects), William Wilson (piano) and Roedelius (soundscapes, electronic treatments, modified fragments/samples of the music of Charles Cohen, Charles Ives, Conrad Schnitzler, Jelly Roll Morton (played by Richard Trythall), Alquimia&Roedelius, setting of all the materials into the final context). Produced by Roedelius/Timmons/Rose/Gerber. Final definition: Roedelius. Special treatments and mastering: Eric Spitzer-Marlyn. All Rights AmericanInc.
Track 8 written and produced by Mark Van Hoen. 2004 Copyright Control